Articles & Bibliographies

ARTICLES & BIBLIOGRAPHIES

Abel, Richard. "Before Fantomas: Louis Feuillade and the Development of Early French
Cinema." 7.1 (Fall 1987): 4-26.

Abrash, Merritt "Have Faith and Enjoy: What the Stunt Man Learns." 5.1 (Fall 1985):
31-41.

Adah, Anthony. “Agential Mortality: Death, Corporeality, and Identity in Radiance
(1997).” 24:2&3 (Winter/Spring & Summer 2005): 35-47.

Aiken, Edward A. "Reflections on Dada and the Cinema." 3.2 (Winter 1984): 5-19.

Alemany-Galway, Mary. “Postmodernism in Canadian Film: I've Heard the Mermaids
Singing.” 18.2 (Winter/Spring 1998): 25-36.

---. “Peter Jackson as Postcolonial Filmmaker: National Cinema and Hollywood
Genres.” 25.2 (Winter/Spring 2006): 31-43.

Alison, Jane. “Stanley Kubrick's Eyes Wide Shut: A Masque in Disguise.” 23.1 (Fall
2003): 3-12.

Anderson, Carolyn, "Conversation, The as Exemplar and Critique of Sound Technology."
6.3 (Spring/Summer 1987): 13-30.

Anderson, Joseph D. "A Cognitive Approach to Continuity." 13.1 (Fall 1993): 61-66.

Andrew, Dudley. "Immigrant Artists and the Look of French Films." 7.1 (Fall 1987):
27-45.

Andrew, Dudley and Colin Burnett. “Susan Sontag and the Criticism of Cinema’s
Modernity: An Introduction.” 26.2 (Winter/Spring 2007): 5-9.

Andrews, David. “Class, Gender, and Genre in Zalman King’s “Real High Erotica”: The
Conflicting Mandates of Female Fantasy.” 25.1 (Fall 2005):49-73.

Archessault, Janine and Graham Petrie. "The Film Studies Association of Canada." 18.2
(Winter/Spring 1999): 85-86.

Arthur, Paul and Naomi C. Liebler. "Kings of the Road: My Own Private Idaho and the
Traversal of Welles, Shakespeare, and Liminality." 17.2 (Winter/Spring 1998):
26-38.

Askren, Carol L. R. "Moon Games in Godard's Je Vous Salue, Marie." 8.3 (Summer
1989): 28-39.

Austin-Smith, Brenda. “‘Mum’s the Word’: The Trial of Genre in Dancer in the Dark.”
26.1 (Fall 2006): 32-42.

Balcerzak, Scott. “Nationalizing and Segregating Performance: Josephine Baker and
Stardom in ZouZou (1934). 26.1 (Fall 2006): 13-31.

Balmain, Colette. “Mario Bava's The Evil Eye: Realism and the Italian Horror Film.”
21.3 (Summer 2002): 20-31.

Baron, Robert F. "Renoir's Neglected Masterpiece: Une Partie De Campagne." 3.1 (Fall
1983): 35-48.

Basu, Anustup. “Mantras of the Metropole: Digital Inscriptions and Mythic Curvatures
of Profane Time.” 25.3 (Summer 2006): 65-78.

Batschelet, Margaret. "The Androgyne on the Bus: Speed, the Deliverer-Hero, and the
Hostage Plot." 18.3 (Summer 1999): 24-33.

Bazin, André. “A Bergsonian Film: The Picasso Mystery.” Trans. & Ed. by Bert
Cardullo. 21.1 (Fall 2001): 31-38.

Beard, William. 'Lost and Gone Forever: Cronenberg's Dead Ringers." 15.2
(Winter/Spring 1996): 11-28.

Beatty, Bronwyn and Jennifer Lawn. “Getting to Wellywood: National Branding and the
Globalisation of the New Zealand Film Industry.” 24:2&3 (Winter/Spring &
Summer 2005): 122-139.

Beauvais, Paul Jude. "Lizzie Borden's Working Girls: Interpretation and the Limits of
Ideology." 10.2 (Winter 1991): 50-63.

Benedetto, Lucio. "Forging an Original Response: A Review of Cassavetes Criticism in
English." 11.2 (Winter 1992): 101-107.

---. "Annotated Bibliography: John Cassavetes." 11.2 (Winter 1992): 108-111.

Berry, Chris. "Turn for the Better?--Genre and Gender in Girl from Hunan and Other
Recent Mainland Chinese Films, A." 14.1 & 2 (Winter/Spring 1995): 82-103.

Bernstein, Matthew. "Kurosawa's Narration and the Noh Theatre." 20.1 (Fall 200): 34-45.

Bick, Ilsa J. "Well, I Guess I Must Make You Nervous: Woman and the Space of Alien."
14.1 & 2 (Winter/Spring 1995): 45-58.

Bingham, Dennis. "Masculinity, Star Reception, and the Desire to Perform: Clint
Eastwood in White Hunter, Black Heart." 12.2 (Winter 1993): 40-53.

Bishop, Ellen. "Film Frames: Literacy and Satiric Violence in Contemporary Movies."
16.2 (Winter/Spring 1997): 18-34.

Blaetz, Robin. "La Femme Vacante or The Rendering of Joan of Arc in the Cinema."
12.2 (Winter 1993): 63-78.

Bobowski, Slawomir. “Agnieszka Holland vs William Wyler: On Two Adaptations of
Henry Jones's Wasington Square.” 23.3 (Summer 2004): 50-63.

Braudy, Leo. "Film Genre: A Dialogue. The Thirties, The Forties. 1.3 (Spring/Summer
1982): 27-29.

Broderick, Mike. “Septic Tanks Downunder: Representing American Soldiers as ‘Other’
in Australian Cinema.” 24:2&3 (Winter/Spring & Summer 2005): 94-108.

Brooks, Christopher. “Sarah's Dream/ No Fate: Doubling in Terminator II.” 23.2
(Winter/Spring 2004): 62-71.

Bruce-Novoa, Juan. "There's Many a Slip Between Good Intentions and Script: The
Milagro Beanfield War." 16.1 (Fall 1996): 53-63.

Buchen, Irving H. "The Road to Xanadu." 1.3 (Spring/Summer 1982): 18-26.

Buckley, Christina A. “Alejandro Amenábar's Tesis: Art, Commerce, and Renewal in
Spanish Cinema.” 21.2 (Winter/Spring 2002): 12-25.

Buhler, Stephen M. "Double Takes: Branagh Gets to Hamlet." 17.1 (Fall 1997): 43-52.

Bullaro, Grace Russo. “Roberto Benigni's Life is Beautiful and the Protection of
Innocence: Fable, Fairy Tale or Just Excuses?” 23.1 (Fall 2003): 13-26.

Burdick, Dolores. "Danger of Death: The Hawksian Woman as Agent of Destruction."
1.1 (Fall 1981): 36-40.

Burnett, Colin and Dudley Andrew. “Susan Sontag and the Criticism of Cinema’s
Modernity: An Introduction.” 26.2 (Winter/Spring 2007): 5-9.

Burton, Julianne. "Modernist Form in Land in Anguish and Memories of
Underdevelopment." 3.2 (Winter 1984): 65-84.

Bywater, William. "Desire for Embodiment in Welles's Citizen Kane, The." 7.2 (Winter
1987): 43-57.

Cardullo, Bert. "Der letzte Mann Gets the Last Laugh: R. W. Murnau's Comic Vision."
1.1 (Fall.1981): 41-44.

Carlson, Jerry W. "Down the Streets of Time: Puerto Rico and New York City in the
Films Q&A and Carlito's Way. 16.1 (Fall 1996): 34-40.

Carney, Ray. "A Polemical Introduction: The Road Not Taken." 11.2 (Winter 1992):
3-12.

---. "Seven Program Notes from the American Tour of the Complete Films: Faces,
Husbands, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, Opening Night, and Love Streams." 11.2 (Winter 1992):
37-100.

Casebier, Allan. "Idealist and Realist Theories of the Documentary." 6.1 (Fall 1986):
66-75.

Champagne, John. "Psychoanalysis and Cinema Studies: A 'Queer' Perspective." 14.1 & 2 (Winter/Spring 1995): 33-44.

Chapman, Lynnea King. "Introduction: Gen X Films." 19.2 (Winter/Spring 2000): 3-7.

---. "Generation X: Searching for an Identity?" 19.2 (Winter/Spring 2000): 8-18.

Chesney, Duncan McColl. “Proust and Cinema, or Luchino Visconti's Search.” 23.2
(Winter/Spring 2004): 48-61.

Cheuk Pak-Tong. "The Beginning of the Hong Kong New Wave: The Interactive
Relationship Between Television and the Film Industry." 19.1 (Fall 1999): 10-27.

Christensen, Ann C. " Petruchio's House in Postwar Suburbia: Reinventing the Domestic
Woman (Again)." 17.1 (Fall 1997): 28-42.

Chumo, Peter N. II. "At the Generic Crossroads with Thelma and Louise." 13.2
(Winter/Spring 1994): 3-13.
---. "The Next Best Thing to a Time Machine: Quentin Tarantino's Pulp Fiction." 15.3 (Summer 1996): 16-28.
Ciecko, Anne T. "Peter Greenaway's Alpha-Beastiary Ut Pictura Poesis: A Zed and Two
Noughts." 12.1 (Fall 1992): 37-46.

Cieco, Anne T. and Sheldon H. Lu. "The Heroic Trio: Anita Mui, Maggie Cheung,
Michelle Yeoh- Self-Reflexity and the Globalization of the Hong Kong Active
Heroine." 19.1 (Fall 1999):70-86.

Collins, Michael J. "Medicine, Lust, Surrealism and Death: Three Early Films of David
Cronenberg." 15.2 (Winter/Spring 1996): 62-69.

Conlon, James. "Silencing Lambs and Educating Women." 12.1 (Fall 1992): 3-12.

---. “Wings of Desire and the Value of Mortality.” 23.1 (Fall 2003): 37-50.

Conrich, Ian. “Introduction: Australian and New Zealand Cinema.” 24:2&3
(Winter/Spring & Summer 2005): 3-7.

---. “Global Pressure and the Political State: New Zealand’s Cinema of Crisis.”
24:2&3 (Winter/Spring & Summer 2005): 140-150.

Conroy, Peter V., Jr. "Amadeus on Stage and Screen." 9.1 & 2 (Fall 1989/Winter 1990):
25-37.

Cook, David A. "Shadows of Forgotten Ancestors: Film as Religious Art." 3.3
(Spring/Summer 1984): 16-23.

Cottenet-Hage, Madeleine. "Le Camion de Marguerite Duras; ou, Comment assurer la
libre circulation." 7.1 (Fall 1987): 89-100.

Crane, William. "Creative Conflict: Bruce Dern and the Making of Coming Home." 1.2
(Winter 1982): 27-45.

Crespo, Virginia and Carl Goldberg. “A Psychological Examination of Serial Killer
Cinema: The Case of Copycat.” 22.2 (Winter/Spring 2003): 55-63.


Crockford, Julian. "'It's all about bucks, kids. The rest is conversation.' Framing the .
Economic Narrative from Wall Street to Reality Bites." 19.2 (Winter/Spring
2000): 19-33.

Crowl, Samuel. "Changing Colors Like the Chameleon: Ian McKellen's Richard III from
Stage to Film." 17.1 (Fall 1997): 53-63.

Cui, Shuqin. "Working from the Margins: Urban Cinema and Independent Directors in . . . . . . . . Contemporary China." 20.2 & 3 (Winter/Spring & Summer 2001): 77-93.

Curtin, Michael. "Industry on Fire: The Cultural Economy of Hong Kong Media." 19.1
(Fall 1999): 28-51.

Dagle, Joan. "Effacing Race: The Discourse on Gender in Diva." 10.2 (Winter 1991):
26-35.

Dagle, Joan and Kathryn Kalinak. "Representation of Race and Sexuality: Visual and
Musical Construction in Gone With the Wind, The." 13.2 (Winter/Spring 1994):
14-27.

Dalziell, Tanya and Tony Hughes-D’Aeth. “Thematising the Global: Recent Australian
Film.” 24:2&3 (Winter/Spring & Summer 2005): 109-121.

Dapena, Gerard. “Solas: Andalusian Mothers in a Global Context.” 21.2 (Winter/Spring
2002): 26-37.

Davis, Darrell W. "Borrowing Postcolonial: Wu Nien-chen's Dou-san and the Memory
Mine." 20.2 & 3 (Winter/Spring & Summer 2001): 94-114.

D’Lugo, Marvin. “Recent Spanish Cinema in National and Global Contexts.” 21.2
(Winter/Spring 2002): 3-11.

---. “The Geopolitical Aesthetic in Recent Spanish Films.” 21.2 (Winter/Spring 2002):
78-89.

De Reus, Lee Ann and Kenneth Womack. "Misreading 'Little Limp Lo' and 'Humbert the
Terrible': The Obfuscation of Child Abuse in Adrian Lyne's Lolita." 19.2
(Summer 2000): 58-66.

Desser, David. "Mistress, The: The Economy of Sexuality." 11.1 (Fall 1991): 20-27.

---. "Madadayo: No, Not Yet for the Japanese Cinema." 18.1 (Fall 1998): 52-58.

---. "The Place of Dodeskaden." 20.1 (Fall 2000): 68-78.

---. "Disapora and National Identity: Exporting 'China' through the Hong Kong Cinema."
20.2 & 3 (Winter/Spring & Summer 2001): 124-136.

Desser, David and Frances Gateward. “Introduction: Indian Cinema and Film Studies.”
25.3 (Summer 2006): 3-6.

Deutelbaum, Marshall. "Visual Design Program of Casablanca, The." 9.3 (Summer
1990): 36-48.

Deveny, Thomas."The Mirror and theMask:Cinematographic Adaptations of Juan
Marsé's El amante bilingüe." 16.1 (Fall 1996): 5-12.

Devereaux, Mary. "Of 'Talk and Brown Furniture': The Aesthetics of Film Dialogue." 6.1
(Fall 1986) 32-52.

Díaz-Fernández, José Ramón. "Shakespeare on Screen: A Bibliography of Critical
Studies." 17.1 (Fall 1997): 91-146.

---. "Shakespeare and Film-Derivatives: A Bibliography." 17.2 (Winter/Spring 1998):
110-120.

Diego, Catherine Don. “Hits, Whacks, and Smokes: The Celluloid Gangster as Horror
Icon.” 21.3 (Summer 2002): 87-98.

Dixon, Wheeler Winston. "It Looks at You: Notes on the 'Look Back' in Cinema." 13.1
(Fall 1993): 77-86.

Donougho, Martin. "West of Eden: Terrence Malick's Days of Heaven." 5.1 (Fall 1985):
17-30.

Doss, Erika L. "Edward Hopper, Nighthawks, and Film Noir." 2.2 (Winter 1983): 14-36.

Dube, Reena. “Work, Play and Linguistic Hybridity in Postcolonial India: (DE)Forming
the Indian Middle Class in Ray’s Kanchenjungha. 25.3 (Summer 2006): 7-16.

Dubuisson Castille, Philip. "Compson and Sternwood: William Faulkner's 'Appendix' and
The Big Sleep." 13.3 (Summer 1994): 54-61.

Duchovnay, Gerald. “Post Script Index: The First Twenty Years (1981-2001).” 21.1
(Fall 2001): 72-84.

Dunbar-Odom, Donna. "Reading, Writing, and Internalizing Cultural Narratives in
Melanie and Stanley and Iris." 16.2 (Winter/Spring 1997): 56-63.

Dunne, Micahel. "Bakhtinian Dialogic in Hector Babenco's Kiss of the Spider Woman."
14.3 (Summer 1995): 14-24.

---. “Mikhail Bakhtin and the Sundance Kid: Generic Dialogue in the Western.” 23.2
(Winter/Spring 2004): 33-47.

Durham, Carolyn A. “Sighting/Siting/Citing the City: The Construction of Paris in
Twenty-First Century Cinema.” 27.1 (Fall 2007): 72-89.

Eberwein, Robert. "The Erotic Thriller." 17.3 (Summer 1998): 25-33.

Eidsvik, Charles. "Perception and Convention in Acting for Theatre and Film." 8.2
(Winter 1989): 21- 35.

Eitzen, Dirk. "Attending to the Fiction: A Cognitive Account of Cinematic Illusion." 13.1
(Fall 1993): 47-60.

Farquhar, Mary and Chris Berry. "Shadow Opera: Towards a New Archeology of the
Chinese Cinema." 20.2 & 3 (Winter/Spring & Summer 2001): 25-42.

Ferross, Suzanne and Mallory Young. “Chick Flicks and Chick Culture.” 27.1 (Fall
2007): 32-49.

Fischer, Lucy. "Lifestyles of the Rich and Famous: Imitation of Life." 10.2 (Winter
1991): 5-13.

---. "Irezumi: Tattoo, Taboo, and the Female Body." 18.1 (Fall 1998): 11-23.

Fleck, Patrice. "Silencing of Women in the Hollywood 'Feminist' Film: The Accused,
The." 9.3 (Summer 1990): 49-55.

---. "Looking in the Wrong Direction: Displacement and Literacy in the Hollywood Serial
Killer Drama." 16.2 (Winter/Spring 1997): 35-43.

---. "Introduction: Hong Kong Movies, Critical Time Warps, and Shapes of Things to
Come."19.1(Fall 1999): 2-9.

Fore, Steve. "Time-Traveling Under an Autumn Moon." 17.3 (Summer 1998): 34-46.

---. "Introduction: Hong Kong Movies, Critical Time Warps, and Shapes of Things to
Come." 19.1 (Fall 1999): 2-9.

Furstenau, Marc. “The Ethics of Seeing: Susan Sontag and Visual Culture Studies.” 26.2
(Winter/Spring 2007): 91-104.

Gabbard, Krin. "Aliens and the New Family Romance." 8.1 (Fall 1988): 29-42.

Gaggi, Sylvio. "Rush's The Stunt Man: Politics, Metaphysics, and Psychoanalysis." 4.1
(Fall 1984): 18-34.

Gates, Philippa. “Manhunting: The Female Detective in the Serial Killer Film.” 24.1
(Fall 2004): 42-61.

Gateward, Frances and David Desser. “ Introduction: Indian Cinema and Film Studies.”
25.3 (Summer 2006): 3-6.

Geist, Kathe "Filmmaking as Research: Wim Wenders' The State of Things." 5.2
(Winter 1986): 19-30.

---. "Late Kurosawa: Kagemusha and Ran." 12.1 (Fall 1992): 26-36.

Gentry, Ric. "Coppola's Faerie Tale Theatre." 8.1 (Fall 1988): 43-51.

Ghillebaert, Françoise. “From Doppelganger to Persona: Acting Becomes the Identity.”
22.3 (Summer 2003): 3-7.

---. “The Double in Bunuel's That Obscure Object of Desire.” 22.3 (Summer 2003):
57-68.

Ginsberg, Robert. "Philosophy and Film: An Introduction." 6.1 (Fall 1986): 2-4.

---. "Introduction to Film and Philosophy." 7.2 (Winter 1988): 2-3.

Goldberg, Carl and Virginia Crespo. “A Psychological Examination of Serial Killer
Cinema: The Case of Copycat.” 22.2 (Winter/Spring 2003): 55-63.

Goldhurst, William "Regeneration Through Disaster: San Francisco." 4.2 (Winter 1985):
45-62.

Golsan, Katherine. “Adaptation as Forgery: The Case of The Talented Mr. Ripley.” 23.3
(Summer 2004): 19-35.

Gomez, Gabriel. "Homocolonialism: Looking for Latinos in Apartment Zero and Paris is
Burning." 14.1 & 2 (Winter/Spring 1995): 117-124.

Grant, Barry K. "Nature, Culture, Documentary: The Films of Kevin McMahon." 15.1
(Fall 1995): 57-67.

---. " Canadian Cinema II: Introduction." 18.2 (Summer 1998): 3-4.

Gravett, Sharon. "Boats Against the Current: The Presence of the Past in The Moderns."
13.2 (Winter/Spring 1994): 28-34.

Griffith, James J. "Damned If You Do, and Damned If You Don't: James Dickey's
Deliverance." 5.3 (Spring/Summer 1986): 47-59.

Grillo, Virgil and Bruce Kawin. "Reading at the Movies: Subtitles, Silence, and the
Structure of the Brain." 1.1 (Fall 1981): 25-32.

Grindon, Leger. "Significance Reexamined: A Report on Bruce Conner." 4.2 (Winter
1985): 32-44.

---. "Role of Spectacle and Excess in the Critique of Illusion, The." 13.2 (Winter/Spring
1994): 35-43.
Guntner, J. Lawrence. "Expressionist Shakespeare: The Gade/Nielsen Hamlet (1920) and the History of Shakespeare on Film." 17.2 (Winter/Spring 1998): 90-102.
Haas, Lynda and Mary Pharr. "Somatic Ideas: Cronenberg and the Feminine." 15.2
(Winter/Spring1996): 29-39.

Haas, Robert. "The Cronenberg Monster: Literature, Science, and Psychology in the
Cinema of Horror." 15.2 (Winter/Spring 1996): 3-10.

---. "David Cronenberg Filmography." 15.2 (Winter/Spring 1996): 75-78.

Handling, Piers. "Canada's Ten Best." 15.1 (Fall 1995): 6-8.

Hantke, Steffen. “Monstrosity Without a Body: Representational Strategies in the
Popular Serial Killer Film.” 22.2 (Winter/Spring 2003): 34-54.

Hastie, Amelie. " Fashion, Femininity, and Historical Design: The Visual Texture of
Three Hong Kong Films." 19.1 (Fall 1999): 52-69.

Head, David and Richard Falcon. "Die Glaserne Zelle: Geissendorfer, Highsmith, and
Adaptation." 4.1 (Fall 1984): 49-63.

Heine, Steven. "Sayonara Can Mean 'Hello': Ambiguity and the Orientalist Butterfly
Syndrome in Postwar American Films." 16.3 (Summer 1997): 17-35.

Heisner, Beverly. "Movie Scenery and Popular Architecture: Morris Lapidus' Miami
Beach Hotels." 1.1 (Fall 1981): 8-17.

Held, Leonard. "Myth and Archetype in Nicholas Roeg's Walkabout." 5.3
(Spring/Summer 1986): 21-46.

Heldreth, Leonard. "Festering in Thebes: Elements of Tragedy and Myth in Cronenberg's
Films." 15.2 (Winter/Spring 1996): 46-61.

Hemmeter, Thomas. “Horror Beyond the Camera: Cultural Sources of Violence in
Hitchcock's Mid-Century America.” 22.2 (Winter/Spring 2003): 7-19.

Hermann, Chad. "Some Horrible Dream About (S)mothering": Sexuality, Gender, and
Family in the New German Cinema." 16.3 (Summer 1997): 36-50.

Herzogenrath, Bernd. “Join the United Mutations: Tod Browning's Freaks.” 21.3
(Summer 2002): 8-19.

Higgins, Lynn A. “Introduction: Adaptation.” 23.3 (Summer 2004): 3-4.

Hill, Jane. “Ambition and Ideology: Intertextual Clues to A Simple Plan’s View of the
American Dream.” 24.1 (Fall 2004): 62-70.

Hill, Rodney. "Small Things Considered: Raising Arizona and Of Mice and Men." 8.3
(Summer 1989): 18-27.

Hillman, Roger. “Lola and Billy the Kid (1999): A Turkish Director’s Western
Showdown in Berlin.” 25.2 (Winter/Spring 2006): 44-55.

Hirano, Kyoko. "The New Generation of Japanese Film Producers." 18.1 (Fall 1998):
79-88.

Hoffman, Judi. "Discourse of 'Special Effects' Cinematography in the Silent American
Cinema, The." 10.1 (Fall 1990): 30-49.

Holmes, Michael Morgan. "New Romantic Shakespeare: AIDS, Poetry, and Community
Survival in Derek Jarman's The Angelic Conversation." 17.2 (Winter/Spring
1998): 56-72.

Hoorn, Jeanette. “White Lubra/White Savage: Pituri and Colonialist Fantasy in Charles
Chauvel’s Uncivilized (1936).” 24:2&3 (Winter/Spring & Summer 2005): 48-63.

Hotchkiss, Lia M. "The Incorporation of Word as Image in Prospero's Books." 17.2
(Winter/Spring 1998): 8-25.

Hu, Brian. “Bollywood Dreaming: Kal Ho Naa Ho and the Diasporic Spectator.” 25.3
(Summer 2006): 93-104.

Hughes-D’Aeth, Tony and Tanya Dalziell. “Thematising the Global: Recent Australian
Film.” 24:2&3 (Winter/Spring & Summer 2005): 109-121.

Humphries, Reynold. “On the Road Again: Rehearsing the Death Drive in Modern
Realist Horror Cinema.” 22.2 (Winter/Spring 2003): 64-80.

Hutcheon, Linda. “Why Adapt?” 23.3 (Summer 2004): 5-18.

Ingersoll, Earl G. "Bringing the (Gender) War Home: Vietnam and Elia Kazan's The
Visitors." 17.3 (Summer 1998): 55-68.

Inouye, Charles Shiro. "Dreaming about Women-The Family Films of Tamasaburo
Bando." 18.1 (Fall 1998): 68-77.

Jackson, Neil. “Cannibal Holocaust, Realist Horror, and Reflexivity.” 21.3 (Summer
2002): 32-45.
Jaikumar, Priya. “A New Universalism: Terrorism and Film Language in Mani Ratnam’s
Kannathil Muthamittal. 25.3 (Summer 2006):48-64.

Jarvie, Ian. "Philosophic Dialogue on Film: A Screen Treatment." 6.1 (Fall 1986): 5-31.

Jayamanne, Laleen. “The Museum as Refuge for Film: The Case of Kumar Shahani’s
Epic Cinema.” 25.3 (Summer 2006): 79-92.

Jones Elizabeth. "Films That 'Never Transcend the Realm of Art'." 3.2 (Winter 1984):
20-33.

---. "Locating Truth in Film, 1940 - 1980." 6.1 (Fall 1986): 53-65.

Jones, G. William. "Canadian Preserve for an Endangered Species: The Free Animator."
10.3 (Summer 1991): 13-29.

Jortner, David. "Stability of the Heart Amidst Hills of Green: An Ecocritical Reading of
Kurosawa Akira's Ran." 20.1 (Fall 2000): 82-91.

Kaufman, J. B. "Merbabies: The Disney Film That Wasn't." 6.3 (Spring/Summer 1987):
45-53.

Keane, Marian. "Dyer Straits: Theoretical Issues in Studies of Film Acting." 12.2 (Winter
1993): 29-39.

Keathley, Christian. “Sontag and Cinephilia.” 26.2 (Winter/Spring 2007): 72-80.

Kellman, Steven G. "Blaise Cendrars' L'Or as Cinematic Novel." 4.3 (Spring/Summer
1985): 16-28.

Kepley, Vance, Jr. "Strike Him in the Eye: Dovzhenko's Aerograd and the Stalinist
Terror." 2.2 (Winter 1983): 37-54.

Kercher, Dona M. “Hitting the Mark from Television to Film: Violence, Timing, and the
Comedy Team in Alex de la Iglesia's Muertos de Risa (1999).” 21.2 (Winter/
Spring 2002): 50-63.

Kerekes, David. “Reply to Gelder.” 21.3 (Summer 2002): 133.

Knee, Adam. "Family Game, The is Up: Morita Revises Ozu." 11.1 (Fall 1991): 40-47.

Koff, Calvin. “Some Notes on Antonioni and Others.” 26.2 (Winter/Spring 2007): 137-
141.

Kolar, Meredith. “The Mystery of the Unsung Song.” 23.3 (Summer 2004): 87-98.

Kolker, Robert P. "Eighties, The." 1.3 (Spring/Summer 1982): 30-32.

--- . "Modernism: An Introduction." 3.2 (Winter 1984): 2-4.

---. "French Cinema: Introduction." 7.1 (Fall 1987): 2-3.

---. "Carne's Les Portes de la Nuit and the Sleep of French Cinema." 7.1 (Fall 1987):
46-59.

Kooijman, Jaap and Tarja Laine. “American Psycho: A Double Portrait of Serial Yuppie
Patrick Bateman.” 22.3 (Summer 2003): 46-56.

Koos, Leonard R. “Films Without Borders: An Introduction.” 25.2 (Winter/Spring 2006):
3-18.

Kouvaros, George and Janice Zwierzynski. "Blow to the Heart: Cassavetes' Love
Streams." 11.2 (Winter 1992): 27-36.

La Caze, Marguerite. “The Mourning of Loss in The Sixth Sense.” 21.3 (Summer 2002):
111-121.

Lafond, Frank. “The Life and Crimes of Ben; or, When a Serial Killer Meets a Film
Crew in Man Bites Dog .” 22.2 (Winter/Spring 2003): 92-102.

Laine, Tarja and Jaap Kooijman. “American Psycho: A Double Portrait of Serial Yuppie
Patrick Bateman.” 22.3 (Summer 2003): 46-56.

Landon, Brooks. "Rethinking Science Fiction Film in the Age of Electronic
(Re)Production: On a Clear Day You Can See the Horizon of Invisibility." 10.1
(Fall 1990): 60-71.

Landy, Marcia. "They Were Sisters: The British Woman's Film." 10.2 (Winter 1991):
14-25.

Lanier, Douglas. "Now: The Presence of History in Looking for Richard." 17.2
(Winter/Spring 1998): 39-55.

Latham, James. “‘Your Life Is Not a Very Good Script’: David Holzman’s Diary and
Documentary Expression in Late 1960s America and Beyond.” 26.3 (Summer
2007): 22-33.

Latteier, Pearl. “Gender amd the Modern Body: Men, Women, and Machines in Vertov's
Man with a Movie Camera.” 22.1 (Fall 2002): 23-34.

Lavery, David. "Autobiography and Film: Introduction." 6.2 (Winter 1987): 12-13.

---. "Major Man: Fellini as an Autobiographer." 6.2 (Winter 1987): 14-28.

---. "News from Africa: Fellini-Grotesque." 9.1 & 2 (Fall 1989/Winter 1990): 82-98.

---. "Home Movie 8 1/2: The Beerdrinker's Guide to Fitness and Filmmaking." 11.3
(Summer 1992): 46-52.

Lawn, Jennifer and Bronwyn Beatty. “Getting to Wellywood: National Branding and the
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