BOOK REVIEWS
Anderson, Robert. Circulating Film Library Catalogue, by Museum of Modern Art. 5.1 (Fall 1985): 67-68.
Bixby, Barbara. Eisenstein at Work, by Jay Leyda and Zina Voynow. 2.3
(Spring/Summer 1983): 62-64.
Bloch, Joel. Chinese Film Theory: A Guide to the New Era, by George S.
Semsel, Xia Hong, and Hou Jianping, Eds. 10.3 (Summer 1991): 77-79.
Bowen, Michael. Macbeth: CD ROM, ed. A.R. Braunmuller, with commentary by David S. Rodes. 17.2 (Winter/Spring 1998): 107-108.
Card, James Van Dyck. Adventures in the Screen Trade, by William Goldman.
3.3 (Spring/Summer 1984): 63-65.
---. Cinema: The First Hundred Years, by David Shipman. 14.3 (Summer 1995):
78-80.
---. Film: An International History of the Medium, by Robert Sklar. 14.3 (Summer
1995): 78-80.
Charlton, Colin. Toward Cinema and Its Double: Cross-Cultural Mimesis, by Laleen Jayamanne. 22.3 (Summer 2003): 115-116.
Charney, Mark. "David Cronenberg" in Inner Views: Filmmakers in Conversation.
15.2 (Winter/Spring 1996): 70-74.
---. Cronenberg on Cronenberg. Ed. Chris Rodley. 15.2 (Winter/Spring 1996):
70-74.
Covey, William B. Autopsy: An Element of Realism in Film Noir, by Carl
Richardson. 13.2 (Winter/Spring 1994): 51-53.
---. Dames in the Driver’s Seat: Rereading Film Noir, by Jans B Wager. 26.1
(Fall 2006): 62-65.
Cox, Terrance. Mondo Canuck by Geoff Pevere. 18.2 (Winter/Spring 1998):
87-90.
Dabb, JeanAnn. From Moscow to Madrid: Postmodern Cities, European
Cinema, by Ewa Mazierska and Laura Rascaroli. 25.2 (Winter/Spring
2006): 80-82.
Desser, David. The Hollywood Professionals: Wilder and McCarey, by Leland
Poague. 1.3 (Spring/Summer 1982): 54-56.
---. Masters of the American Cinema, by Louis Giannetti. 2.1 (Fall 1982): 66-67.
---. Currents in Japanese Cinema, by Tadao Sato. 2.2 (Winter 1983): 59-61.
Dixon, Wheeler Winston. The Press: Observed and Projected, by Philip French
and Deac Rossell, Eds. 12.1 (Fall, 1992): 61-63.
Doherty, Thomas. A Certain Tendency of the Hollywood Cinema, 1930 - 1980, by
Robert Ray. 6.3 (Spring/Summer 1987): 90-92.
Duchovnay, Gerald. Cinemabilia Catalogue Seven, by Ernest D. Burns, Ed. 1.1
(Fall 1981): 48.
---. Movies and Entertainment: The Video Tape/Disc Guide. Rev. 1.1 (Fall 1981):
48.
---. Contemporary Literary Criticism, Vol. 16. 1.1 (Fall 1981): 48.
Eberwein, Robert. Ingmar Bergman and the Rituals of Art, by Paisley Livingston.
2.1 (Fall 1982): 62-63.
Ehrlich, Linda C. Moving Pictures, by Anne Hollander. 8.3 (Summer 1989):
70-72.
Foreman, Joel. Ideology and the Image: Social Representation in the Cinema
and Other Media, by Bill Nichols. 2.1 (Fall 1982): 60-61.
Forrest, Jennifer. Between Shanghai and Hong Kong: The Politics of Chinese
Cinemas, by Poshek Fu. 25.2 (Winter/Spring 2006): 82-83.
Foster, Gwendolyn. Streetwalking on a Ruined Map: Cultural Theory and the City
Films of Elvira Notari., by Giuliana Bruno. 13.2 (Winter/Spring 1994):
54-56.
Gelder, Ken. Killing for Culture: An Illustrated History of Death Film from Mondo
to Snuff, by David Kerekes and David Slater. 21.3 (Summer 2002): 131-
133.
George, Susan. Alien Women: Them Making of Lt. Ellen Ripley, by Ximena C.
Gallardo and C. Jason Smith. 23.2 (Winter/Spring 2004): 88-91.
Gibson, Lee. Illuminating Shadows: The Mythic Power of Film, by Geoffrey Hill. 14.1 & 2 (Winter/Spring 1995): 125-126.
Glajar, Valentina. Cinema of Flames: Balkan Film, Culture and the Media, by Dina Iordanova. 25.2 (Winter/Spring 2006): 84-86.
Grigar, Dene. Allegories of Communication: Intermedial Concerns from Cinema to the Digital, by John Fullerton and Jan Olsson, Eds. 25.1 (Fall 2005):
74-75.
Hawk, Bryon. Shakespearean Films/Shakespearean Directors, by Peter Donaldson. 17.2 (Winter/Spring 1998): 103-106.
Henderson, Scott. Canadian Dreams: The Making and Marketing of Independent Films, by Michael Posner. 15.1 (Fall 1995): 81-83.
Higginbotham, Virginia. "Convictions and Contradictions of Luis Bunuel: Mon dernier soupir," by Luis Bunuel. 6.2 (Winter 1987): 63-73.
Hills, Matt. Mythologies of Violence in Postermodern Media, by Christopher Sharrett, Ed. 21.3 (Summer 2002): 134-135.
Jennings, Wade. Some Time in the Sun, by Tom Dardis. 1.2 (Winter 1982):
78-79.
Kasper, Loretta F. and Robert Singer. "Reading, Language Acquisition, and Film Strategies." 16.2 (Winter/Spring 1997): 5-17.
Kernan, Margot. The Film in History: Restaging the Past, by Pierre Sorlin. 1.1 (Fall 1981): 45-46.
---. Godard: Images, Sounds, Politics, by Colin McCabe. 3.1 (Fall 1983): 61-64.
Koos, Leonard. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film, by Jigna Desai. 25.2 (Winter/Spring 2006): 86-88.
Lavery, David. Fellini's Road, by Donald P. Costelli. 3.2 (Winter 1984): 85-87.
Maland, Charles. Charlie Chaplin: A Bio-Bibliography in "The Millionaire Tramp," by Wes D. Gehring. 3.3 (Spring/Summer 1984): 55-62.
---. Charles Chaplin: A Guide to References and Resources in "The Millionaire Tramp," by Timothy Lyons. 3.3 (Spring/Summer 1984):55-62.
---. Charlie Chaplin's City Lights: Its Production and dialectical Structure in "The Millionaire Tramp," by Gerard Molyneaux. 3.3 (Spring/Summer 1984):
55-62.
---. What is Cinema? in "The Millionaire Tramp," by Andre Bazin. 3.3 (Spring/Summer 1984): 55-62.
---. Chaplin: The Mirror of Opinion, by David Robinson in "The Millionaire Tramp," 3.3 (Spring/Summer 1984): 55-62.
---. The American Cinema, by Andrew Sarris in "The Millionaire Tramp." 3.3 (Spring/Summer,1984): 55-62.
---. Chaplin, by Julian Smith in "The Millionaire Tramp." 3.3 (Spring/Summer 1984): 55-62.
---. All that Hollywood Allows: Rereading Gender in 1950s Melodrama, by Jackie Byars. 12.1 (Fall 1992): 64-66.
Michaels, Lloyd. Woody Allen: A Biography, by Eric Lax. 11.3 (Summer 1992): 81-82.
Miyao, Daisuke. Mitsuhiro Yoshimoto's Kurosawa: Film Studies and Japanese Cinema. 20.1 (Fall 2000): 96-101.
Nicks, Joan. Atom Egoyan, by Carole Desbarts et al. Trans. Brian Holmes. 15.1 (Fall 1995): 75-80.
Nolletti, Arthur Jr.. Japanese Films: A Filmography and Commentary, by Beverly Bare Buehrer. 11.1 (Fall 1991): 57-60.
Orr, Leonard. The Films of Robbe-Grillet, by Roy Arnes. 1.3 (Spring/Summer 1982): 52-53.
Palmer, R. Barton. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, by David Bordwell, Janet Steiger, and Kristin Thompson. 5.3 (Spring/Summer 1986): 88-91.
Poague, Leland. Interpreting Films: Studies in the Historical Reception of American Cinema, by Janet Staiger. 13.1 (Fall 1993): 87-90.
---. Orson Welles, Shakespeare, and Popular Culture, by Michael Anderegg. 21.1 (Fall 2001): 39-42.
Polan, Dana. French Cinema: First Wave, 1915-192, by Richard Abel. 4.2 (Winter 1985): 63-65.
---. Kino-Eye, Rev. by Dziga Verto. 5.1 (Fall 1985): 60-61.
---. Cahiers Du Cinema: The 1950s, Ed. Jim Hillier. 5.2 (Winter 1986): 64-68.
---. Andy Warhol's Art and Films, by Patrick Smith. 8.1 (Fall 1988): 66-68.
---. Psychiatry and the Cinema, by Krin Gabbard and Glen O. Gabbard. 8.2 (Winter 1989): 64-65.
---. French Film Theory and Criticism, 1907 - 1930, by Richard Abel. 9.1 & 2 (Fall 1989/Winter 1990): 125-128.
Ross, T. J. Cinema Texas Program Notes [Univ. of Texas, Austin], 19.3 (Fall, 1980) and 20.2 (Spring 1981). 2.1 (Fall, 1982): 64-65.
Ruppert, Peter German Film and Literature: Adaptations and Transformations, by Eric Rentschler, Ed. 7.3 (Summer 1988): 66-68.
Sato, Kazuy. Something Like an Autobiography, by Akira Kurosawa. 6.2 (Winter 1987): 74-76.
Schmertz, Johanna. "Viewing Positions: Ways of Seeing Film," ed. Linda Williams. 16.3 (Summer 1997): 65-67.
Sharrett, Christopher. Seven, by Richard Dyer. 22.2 (Winter/Spring 2003):124-125.
Shary, Timothy. Screen Memories, by Harvey R. Greenberg. 14.3 (Summer 1995): 75-77.
Shepperd, Josh. Women, by Annie Leibovitz and Susan Sontag. 26.2 (Winter/Spring 2007): 146-147.
Shokoff, James. Five Screenplays by Preston Sturges, by Brian Henderson, Ed. 8.1 (Fall 1988): 64-65. Telotte, J. P. Dance in the Hollywood Musical, by Jerome Delameter. 2.2 (Winter 1983: 62-64.
---. About John Ford, by Lindsay Anderson. 4.1 (Fall 1984): 64-67.
---. Dark Cinema: American Film Noir in Cultural Perspective, by John Tuska. 5.1 (Fall 1985): 62-64.
Thompson, Frank. The Light on Her Face, by Joseph Walker and Juanita Walker. 5.1 (Fall 1985): 65-66.
Tryon, Charles. The Subject of Documentary, by Michael Renov. 26.3 (Summer 2007): 102-104.
Valenti, Peter. A History of Narrative Film, by David A. Cook. 2.3 (Spring/Summer 1983): 65-68.
---. Religion in Film, by John R. May and Michael Bird, Eds. 3.1 (Fall 1983):
59-60.
von Son, Carlos. Hispanics and United States Film: An Overview and Handbook, by Gary D. Keller. 16.1 (Fall 1996): 64-65.
Ward, Carol. The Marx Brothers: A Bio-Bibliography, by Wes Gehring. 8.2 (Winter 1989): 66-68.
---. Australian Movies and the American Dream, by Glen Lewis. 9.1 & 2 (Fall, 1989/Winter 1990): 123-124.
Watts, Linda S. The Man Who Would Marry Susan Sontag, And Other Intimate Portraits of the Bohemian Era, by Edward Field; Female Icons: Marilyn Monroe to Susan Sontag, by Carl Rollyson. 26.2 (Winter/Spring 2007): 142-145.
West, Mark. The American Animated Cartoon, by Gerald Peary and Danny Peary. 1.1 (Fall 1981): 46-47.
Wolfe, Charles. An Examination of Narrative Structure in Four Films of Frank Capra, by Brian Rose. 1.2 (Winter 1982): 75-77.
Wood, Robert E. The Dark Side of Genius: The Life of Alfred Hitchcock, by Donald Spoto. 4.2 (Winter 1985): 66-67.
---. Dreadful Pleasures, by James B. Twitchell. 5.3 (Spring/Summer 1986):
84-87.
---. Dreams of Darkness, by J. P. Telotte. 5.3 (Spring/Summer 1986): 84-87.
---. The Living and the Undead, by Gregory A. Waller. 5.3 (Spring/Summer 1986): 84-87.
---. Psycho Paths: Tracking the Serial Killer Through Contemporary American Film and Fiction, by Philip L. Simpson. 22.2 (Winter/Spring 2003): 126-127.
Woodward, Katherine S. Feminist Criticism and Women's Pictures, by Annette Kuhn. 3.1 (Fall 1983): 49-58.
Book Reviews
